Add media
Drag in your camera and recorder folders. Each folder becomes a track; AVCHD, P2, XDCAM, DCIM and Canon XF cards are recognised automatically.
For multicam, interviews, music videos and podcasts
Every camera and mic in sync — in seconds.
Drop in the folders from every camera and your audio recorder. TakeSync lines the clips up by sound and hands a ready timeline to Premiere Pro, Final Cut Pro or DaVinci Resolve. No timecode, no clapper, no nudging waveforms by hand.
7-day free trial · One-time purchase, no subscription
Before sync
00:00:12:04
Synced in 4 s · frame accurate
Exports to
Adobe Premiere Pro
Final Cut Pro
DaVinci Resolve
WAV and video files
· macOS and Windows
HOW IT WORKS
Three steps instead of an hour of nudging.
Sync
One button. TakeSync analyses the sound of every clip, matches them across tracks, sorts takes into separate events and corrects recorder drift.
Export
A ready timeline for your editor — plus a second sequence where the camera audio is already replaced with clean recorder sound.
FEATURES
Built for real shoots, not perfect ones.
Tracks from folders
Every folder or camera card becomes its own track. Long recordings split across files are joined back into one clip.
Many cameras, many events
As many tracks as you like. Separate scenes and repeated takes land as separate events instead of stacking up.
Drift correction
Recorder clock running fast? TakeSync spots the slip across a long recording and corrects the audio.
Player and timeline
Waveforms, a playhead and all tracks playing together — check the sync by ear before you export.
Audio already swapped
A separate sequence with recorder audio in place of camera audio. Or new WAV and video files for any editor.
Works offline
Everything runs on your computer. Nothing is uploaded and your original files are never changed.
Why not your editor's built-in sync?
Built-in waveform sync is fine for a few clips with clean sound. With four cameras, twenty takes and a recorder that ran for an hour straight, it turns into manual work.
- Hundreds of clips at once — no picking pairs by hand.
- Repeats and multiple events — each scene lands on its own, without false matches.
- Drift on long recordings — corrected automatically.
- One app for every editor — sync once, export wherever you cut.
PRICING
Buy once. Keep it.
Free trial
Every feature for 7 days
$0
DownloadFull licence
One-time payment · 2 computers
$49 once
- Every export format
- macOS and Windows
- All 1.x updates included
Questions
Do I need timecode or a clapper?
No. TakeSync compares the sound recorded by different devices at the same time. 5–10 seconds of overlapping, audible sound is enough.
Which formats are supported?
MOV, MP4, MTS/M2TS, MXF, WAV, AIFF, MP3, M4A and more — anything ffmpeg can read. AVCHD, P2, XDCAM, DCIM and Canon XF card structures are recognised automatically.
What happens to a clip that doesn't sync?
It's marked red. Usually it was recorded when no other device was rolling, or the audio is too quiet. On export you can send such clips to the end of the timeline.
Does it work with Premiere Pro, Final Cut and Resolve?
Yes: XML for Premiere Pro and DaVinci Resolve, fcpxml for Final Cut Pro, plus new media files for any other editor.
Is it a subscription?
No. You pay once and the licence is yours, including every 1.x update.
Sync your next multicam in a minute.
Free for 7 days. No card required.
Version 0.1 · macOS 12+ · Windows 10+